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> past exhibitions (2006)

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PAST EXHIBITIONS (2007)



December 1, 2006 – January 27, 2007

“Three Pulses”, a group show featuring Patricia Beatty, Christopher Colville
and Rafael Navarro.

“Three Pulses” is a group show featuring Patricia Beatty’s newest work, Meditation Series, which employs a proprietary process involving multiple layers of texture and color. Each image consists of an acrylic polymer foundation manipulated using a variety of textural techniques, followed by the application of six or more glazes of color to complete the paintings. Christopher Colville is an artist and educator working in photographic studies. Colville received a grant from the American Scandinavian Foundation and the Thor Thors Memorial Fund to conduct research and create artwork in Iceland during the summer of 2006. His work suggests a fine balance between science and fantasy, truth and myth. His works employs old and new photographic process including ambrotypes, photogenic drawings and digital inkjet prints. Rafael Navarro is an artist working in mixed media assemblages and acrylic paintings. His ideas dictate the medium, thereby fostering a strong relationship between the images and materials. He draws inspiration from his heritage, personal observations and childhood memories.




February 2 – 24 2007

Roger Palmenberg,
exhibited his collection of platinum-palladium and copper plate photogravures.

Roger teaches portrait and fashion photography at Scottsdale Community College as well as small group workshops. His images have been featured in numerous group and several individual exhibitions and are in numerous private collections. He is a member of Imageworks, an Arizona-based organization of large format photographers.

Roger Palmenberg taught a wonderful two-day platinum-palladium workshop at Tilt Gallery on Saturday, February 17th and Sunday, February 18th. The cost of the workshop was 145.00 and this included all material. The class is limited to 10 students.




March 2 – 31 2007

Angela Franks Wells,
“Parts & Labor” a collection of copper plate photogravures.

An intimate view of independently owned local shops of skilled mechanics, plumbers, welders, ect. The images reflect the austerity of the environment, the value of mastered craftsmanship, and relationship between the shop and people working within. Combining these images with the 19th century copper plate photogravure creates beauty in an unlikely space.



April 6 - May 26, 2007

LOVEX2: 'The Gift of Life
"Exponential Love: the Gift of Life",
2nd Annual Organ Donor Awareness Exhibition & Silent Auction

Tilt Gallery in collaboration with Donor Network of Arizona will be hosting the 2nd annual exhibition dedicated to Organ/Tissue Donor Awareness and Education. Proceeds from the auction will go to organ/tissue donor education and awareness projects.

The exhibition will consist of fine art photography and mixed media essence pieces that have been created by local fine artists inspired by participants whose lives could be or have been touched by organ/tissue donation. The stories and experiences of organ donors, donor families, transplant recipients, and individuals whose lives have been touched by organ/tissue donation will be displayed during the exhibition alongside the artwork.


For further information regarding organ/tissue donation or to register to be an organ donor,
please visit their website.




June 1 – July 20, 2007

Photography Re-Imagined a Juried Alternative & Historical Process Show.

This exhibit will feature alternative and historical processes. A International call for entries selected by juror France Scully Osterman. For more information visit her website.

France Scully Osterman is guest scholar at George Eastman House and has given lectures, demonstrations and workshops throughout the United States, Japan and Europe.

Her writings have been included in a large number of publications, and her work has been highlighted in a number of solo exhibits. She has received glowing reviews of her "Sleep" exhibit in Art in America, Paris Photo Magazine and the Village Voice.

Her work was featured in Photovision Magazine, Photography's Antiquarian Avant-Guarde, The New Wave in Old Process Photography by Lyle Rexer, Coming into Focus by John Barnier, and The Book of Alternative Photographic Processes by Christopher James and in the March 2007 issue of View Camera magazine.

Click here to view a list of the selected artists.





August 3 – September 28, 2007

Jeremy Rowe.
The collection of Silver and Glass: Historic Photographs


Jeremy Rowe an eclectic collector of historical photographs will be exhibiting his rare and extensive collection of vintage images. This show will feature a diverse spectrum of historical photographs such as tintypes, stereographs, daguerreotypes and early postcards.




October 5 – November16, 2007

Jeff Zaruba,
Configurations


This Exhibit is an exploration of patterns and abstractions created by man and found in nature. “Most of his photos have a strong graphic element. He looks for the interplay of shapes, forms, shadows, reflections and light on materials that show a patina and have aged beautifully”, Silvershotz Magazine (2006).

Jeff Zaruba has been published in Black & White Magazine, Feature February 2001, Silvershotz, Feature, December 2006

Awards: Spider Awards, International Competition. First Place, Photographer of the year 2005




December 7 – 29, 2007

Mixed Media Month featuring Cyanotype prints by Brenton Hamilton and Gauche paintings and concrete sculptures By Linda Parker.


Brenton Hamilton is from Rockport, Maine. He is an educator, photographer, sculptor and director of the Professional Certificate program in photography at Rockport College. Brenton specializes in the cyanotype process. His cyanotypes are an assemblage of imagery allegories and fables encompassing figures from the Renaissance, architecture, alchemy and the human anatomy.

Linda Parker joins us from Phoenix Arizona. Linda is an educator and mixed multidisciplinary artist with strong roots in non- traditional and traditional practices. Her gauche paintings and concrete sculptures make references to the mythical and the shadowy sides of nature and the landscape. Her latest series is of vignettes filled with visual narratives and layered symbolism that links the ethereal world of dreams and the cycles of life and death.





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